SOLAS

Late Show: GIG Brazil, Carolann Ames

Saturday September 20th
Show Starts @ 8pm | $20adv - $25dos  Buy Tix

Solas 8pm
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In a manner befitting their name (a Gaelic word meaning “light”), Solas burst onto a largely dormant Irish music scene and almost instantly became a beacon – an incandescent ensemble that found contemporary relevance in timeless traditions without ever stooping to crossover clichés. Via spectacular musicianship, riveting band empathy, and a bold willingness to extend the boundaries of their sound, Solas cleared a path for traditional Irish music in the new millennium. While their rapid rise to prominence was startling and reinvigorating, equally impressive is Solas’ continued artistic growth. Despite – or perhaps because of – continued evolutions in the band’s lineup, they have harnessed the explosive energy of their thrilling early era and extended it outward across a series of albums that showcase an increasing sophistication and a still restless creative spirit.

Solas’ most recent album, For Love and Laughter (available August 26 on Compass Records), finds the band embracing new elements while simultaneously looking back. “Looking at this album, we wanted to combine some of the previous approaches,” explains founding member and multi-instrumentalist Seamus Egan. “We went in with more of the raw, immediatementality of our first three albums, but kept ourselves open to other possibilities and newelements.” The most striking of those new elements is the welcoming of new vocalist Máiréad Phelan to the current Solas lineup of Egan (flutes, whistles, banjo, mandolin, guitar, percussion), Winifred Horan (fiddle), Mick McAuley (accordion, concertina, vocals), and Eamon McElholm (guitar, vocals). Egan is quick to cite the rejuvenating effects of Phelan’s addition, remarking “Sonically, a new singer –especially one of Máiréad’s abilities – opens up so many different options in terms of both what she can sing and what we can build around her voice.”
Late Show:
GIG Brazil  11:30pm

Carolann Ames  10:30pm
"Given how the current glut of Americana artists has devalued the field to sub-prime mortgage crisis levels, to come across one that restores your faith in the genre is some kind of miracle. San Diego’s Carolann Ames is a born faith healer. The Grand Prize winner in the 2004 John Lennon Songwriting Contest, she’s touched by angels as her rich, supple voice (a cross between Linda Ronstadt, Emmylou Harris and Shania Twain) soars skyward. But in such confessional numbers as the strummy ‘70s pop of “Broken Down Dream,” countryish desert-rocker “Lavender Sky” and the bluegrass flavored “Bridgewater Creek” you can tell she’s done a lot of livin’ and probably a fair share of sinnin’, too. Backed by a sharp crew of players (secret weapon: fiddler Melissa Harley), Ames traverses the Americana spectrum without repeating herself a single time, and it’s this journey she takes you on that’ll be your ticket to heaven. By Fred Mills , HARP Magazine Feb.2008